Art Exhibition Class

Exhibition Planning &
Gallery Management

Curating and Globalization > Independent Study

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ARA 560 is a gradaute level course and requires the selection of one addtional reader from 11 different categories in curatorial studies. Readings are assigned weekly and most independent study readers end in by examining a single case study. The student may also select another case study that applies to their personal research than what is in the reader.

A final paper of 3-5 pages is required of all independent studies or a 1-2 page paper with an accompanying project or show proposal that addresses their research interests. 

 

Week 1

Cautionary Tales: Critical Curating.

By Jean-Hubert Martin, Sara Arrhenius, David Carries, Boris Groys and Kate Fowle.

[  ] Curating in a Global Age. By Young Chul Lee

 

Week 2

Talking Contemporary Curating

By Terry Smith

[  ] Stirring the Smooth Surfaces of the World: The Curatorial and the Translocal

 

Week 3

Naming a Practice: Curatorial Strategies for the Future

By Peter White

[  ] Local Knowledge / New Internationalism. By Tom Hill

[  ] “Dodge Ball”: Cultural Differences and Local Knowledges

 

Week 4

Naming a Practice: Curatorial Strategies for the Future

By Peter White

[  ] Notes on the Meeting of Cultures. By Matthew Teitelbaum

[  ] Nomadic Locations, Traveling Subjects: Affirmations of Autobiographical Acts. By Joan Borsa

[  ] Curating the “New International” Visual Arts. By Sunil Gupta

 

Week 5

Globalization and Contemporary Art

By Johnathan Harris

[  ] The Two Economies of World Art. By Malcolm Bull

 

Week 6

Globalization and Contemporary Art

By Johnathan Harris

[  ] World Pictures: Globalization and Visual Culture. By W. T. Mitchell

[  ] Global Contemporary? The Global Horizon of Art Events. By Charlotte Bydler

 

Week 7 

The Global Contemporary and the Rise of New Art Worlds.

By Hans Belting, Andrea Buddensieg and Peter Weibel.

[  ] Globalization and Contemporary Art. By Peter Weibel

 

Week 8

The Global Contemporary and the Rise of New Art Worlds.

By Hans Belting, Andrea Buddensieg and Peter Weibel.

[  ] From Art World to Art Worlds. By Hans Belting and Andrea Buddensieg

 

Week 9

The Global Contemporary and the Rise of New Art Worlds.

By Hans Belting, Andrea Buddensieg and Peter Weibel.

[  ] From World Art to Global Art: View on a New Panorama. By Han Belting

 

Week 10

The Global Contemporary and the Rise of New Art Worlds.

By Hans Belting, Andrea Buddensieg and Peter Weibel.

[  ] Contemporary Art: World Currents Beyond Globalization. By Terry Smith

 

Week 11

Global Studies: Mapping Contemporary Art and Culture (Global Art and the Museum).

By Hans Belting, Jacob Birken, Peter Weibel and Andrea Buddensieg.

[  ] Back to Contemporary: One Contemporary Ambition, Many Worlds. By  Carol Yinghua Lu.

 

Week 12

CASE STUDY: The Third Havana Biennial 1989

 

Making Art Global (Part 1): The Third Havana Biennial 1989 (Exhibition Histories).

By Rachel Weiss, Luis Camnitzer, Cocc Fusco, Getta Kapur.

[  ] Making Art Global: A Good Place or No Place? By Charles Esche

[  ] A Certain Place and a Certain Time: The Third Bienal de La Habana and the Origins of the Global Exhibition. By Rachel Weiss

[  ] The Third Bienal de La Habana in its Local and Global Contexts. By Gerado Mosquera

 

Week 13

Making Art Global (Part 1): The Third Havana Biennial 1989 (Exhibition Histories).By Rachel Weiss, Luis Camnitzer, Cocc Fusco, Getta Kapur.

[  ] Catalog Introduction. By Llilian Llanes Godoy

[  ] Notes on Art, Identity and Poverty of the Third World. By Mirko Lauer

[  ] Contemporary Cultural Practice: Some Polemic Categories. By Geeta Kapur

 

Week 14

Making Art Global (Part 1): The Third Havana Biennial 1989 (Exhibition Histories).By Rachel Weiss, Luis Camnitzer, Cocc Fusco, Getta Kapur.

[  ] The Margin of the ‘Margin’: A Bumpy Havana Biennual. By Coco Fusco

[  ] Jose Bedia in Conversation with Lucy Steeds.

[  ] Lazaro Saaveda in conversation with Rachel Weiss

[  ] Alex Angeles and Alfredo Marquez in conversation with Rachel Weiss

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